Read e-book online A concise companion to American fiction, 1900-1950 PDF

By Peter Stoneley, Cindy Weinstein

An authoritative advisor to American literature, this better half examines the experimental varieties, socio-cultural alterations, literary routine, and significant authors of the early twentieth century. This significant other offers authoritative and wide-ranging information on early twentieth-century American fiction.

  • Considers in most cases studied authors equivalent to Faulkner, Fitzgerald, and Hemingway, along key texts of the interval by way of Richard Wright, Charles Chesnutt, Zora Neale Hurston, and Anzia Yezierska
  • Examines how the works of those various writers were interpreted of their personal day and the way present readings have elevated our knowing in their cultural and literary value
  • Covers a extensive diversity of subject matters, together with the 1st and moment international Wars, literary language alterations, writer big name, the city panorama, modernism, the Jazz Age, the good melancholy, regionalism, and African-American fiction
  • Gives scholars the contextual info invaluable for formulating their very own opinions of vintage American fiction

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Additional info for A concise companion to American fiction, 1900-1950

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Realist fiction prized the careful observation of social manners, questions of character over those of plot, and the articulation of local distinctions, including non-standard forms of English. On the one hand, it cultivated the drawing-room novels of Henry James; on the other, the regional fiction of Sarah Orne Jewett and Mary Wilkins Freeman. ” Variety, indeed, was a cornerstone of realism, which placed an optimistic faith in the power of fiction to negotiate social distinctions, to render them on the page in such a way that they could be recognized, even celebrated, without becoming debilitating.

This meant that a man such as Gatsby, from a modest, non-WASP background, could gain a new social power on being made an officer, and it was this power that enabled him to meet and to court the Southern, upper-class girl, Daisy. ” Gandal moves on to demonstrate the ways in which Daisy’s narrative can be situated as mobilization fiction, inasmuch as the social and sexual risks that she takes in her romances correspond to widespread wartime phenomena and to government attempts to regulate the moral impact of the army camps.

Just as the public prefers not to see how its sausage is made, it also turns a blind eye to the way that immigrant laborers are ground into the political process – led through the citizenship system and manipulated as voters by the bosses who run Packingtown. ” The Jungle reinforces this relationship by repeatedly referring to Jurgis and other laborers using animal imagery; Sinclair has all of the subtlety of a propagandist. In fact, his characterization of the powerlessness of the Packingtown class is so effective that Jurgis’s self-realization has less emotional force than the chapters that precede it.

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