By William Blazek, Michael Glenday
Essays within the assortment variety largely in contemplating those questions, from the impact of Muhammad Ali on Norman Mailer's writings approximately boxing to the interactions of fable and reminiscence within the fictions of Jayne Anne Phillips to the conflicted portrayal of the yank West in Cormac McCarthy's novels. 4 essays within the assortment specialise in local American authors, together with Leslie Marmon Silko and Gerald Vizenor, whereas one other considers Louise Erdrich's novels within the context of Ojibwa myth.
By bringing jointly views on American reviews from either Europe and the United States, American Mythologies presents a transparent photograph of the present nation of the self-discipline whereas stating fruitful instructions for its future.
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Extra resources for American Mythologies: Essays on Contemporary Literature (Liverpool University Press - Liverpool English Texts & Studies)
It seems fair to say, as Dennis M. Walsh and Ann Braley conclude, that in The Beet Queen, with its caustic depictions of white, smalltown America, Ojibwe culture and values, though fragmented and hidden, ‘provide the most coherent meaning in a sugarbeet and supermarket wasteland’ (16). However, the technocratic, particularly offreservation world presented in the series of novels offers not only agonistic and intricate contrasts with Native culture and agency; it also is the register of the American twentieth century, part of the essential fabric of the narratives.
To argue the Indian as colonial construction and invention is to invite a consideration of how natives may have manipulated those constructions as cultural performances, and how they used such performances to resist colonial definitions and management of native identity. For instance, the nineteenth-century princess-author exploited white male desire and national constructions of Indian women for public performances and enthusiastic audiences. A common challenge in contemporary native writing and criticism is how to stage ‘Indian’ without reifying white representation of natives.
Smith 3–6, Vizenor 13–21, and Wong 9. 3 Beidler and Barton label the series ‘Louise Erdrich’s Matchimanito novels’ (ii), from the name of the lake that is of central importance in the series. Besides the books discussed in this essay, a sixth volume, The Last Report on the Miracles at Little No Horse, was published in 2001; a novel focused on Erdrich’s German American heritage, The Master Butcher’s Singing Club, was published in 2003; and Four Souls, which continues the story of Fleur Pillager, appeared in 2004.